Download A Companion to Luis Buñuel (Monografías A) by Gwynne Edwards PDF

By Gwynne Edwards

Luis Buñuel (1900-1983) used to be one of many really nice film-makers of the 20th century. formed by way of a repressive Jesuit schooling and a bourgeois relatives historical past, he reacted opposed to either, escaped to Paris, and used to be quickly embraced via André Breton's reputable surrealist workforce. His early movies are his such a lot competitive and stunning, the cutting of the eyeball in Un Chien andalou (1929) the most memorable episodes within the heritage of cinema.
The Forgotten Ones (1950) and He (1952), made in Mexico, have been undefined, from 1960, in Spain and France, by means of the flicks for which he's top identified: Viridiana (1961), Belle de jour (1966), Tristana (1970), The Discreet allure of the Bourgeoisie (1972), and That vague item of Desire (1977).
Gwynne Edwards analyses the flicks within the context of Buñuel's own obsessions - intercourse, bourgeois values, and faith - suggesting that the film-maker skilled a level of sexual inhibition outstanding in a surrealist.

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Extra info for A Companion to Luis Buñuel (Monografías A)

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8 Such is the power of the image, it is as if our own eyes were being threatened, which is, of course, the purpose of this moment: to make us look anew, to shake us out of the complacency that might have been awakened by the fairytale promise of the preceding title, Once upon a time, and by the appearance of a rather romantic moon in a sky that contains only one thin cloud. This initial, sickening shock proves to be the first of many. Our introduction to the film’s male protagonist, the young man, is, to say the least, bizarre, for as he mechanically rides his bicycle along a deserted street, he is seen to be wearing on his head and around his shoulders and waist what appear to be baby clothes.

Like Epstein, Gance tended to be melodramatic and grandiloquent in his style of film-making, and Buñuel’s reply was uncompromising: With my usual abruptness, I replied that I was his [Epstein’s] assistant and not Gance’s, that I didn’t much like Gance’s movies [. ] and that I found Gance himself very pretentious. (Buñuel, 90) Impatient to do things in his own way, he planned, among other things, to make a film entitled La Sancta Misa Vaticanae, in which, on the word ‘go’, priests compete to recite the mass as quickly as possible, achieving such speeds that, one by one, they collapse with exhaustion, the winner receiving a monstrance as his prize.

40 GWYNNE EDWARDS to follow. In much the same way, the title of Buñuel’s third film, Las Hurdes, is immediately followed by its description as a documentary: Documentaire de LUIS BUÑUEL, and this by titles that describe Las Hurdes: This cinematographic essay in human geography was made in 1933 shortly after the inauguration of the Spanish Republic. In the opinion of geographers and travellers, the region which you are going to visit, called Las Hurdes, is a barren and inhospitable place where man is obliged to struggle constantly in order to survive.

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